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Galina Bleikh                   Statement     CV     Exhibitions     Media     www.bleikh-art.gala-studio.com

 
 

Galina Bleikh is picking up the ground. Judean Desert, Dead Sea, 2008.

 
 

Dead Sea Ocher #1. Ground on canvas. 120 x 120 cm. 2008.

 

 
 

Dead Sea Ocher #2. Ground on canvas. 120 x 120 cm. 2008.

 

 
 

Dead Sea Gold #1. Ground on canvas. 120 x 120 cm. 2008.

 

 
 

Kineret Black #1. Ground and blue-stone noun on canvas. 120 x 120 cm. 2008.

 

 
 

Dead Sea Ocher. Ground on canvas, threads. 60 x 60 cm. 2008.

 

 
  Dead Sea White. Ground on canvas, threads. 60 x 60 cm. 2008
   
 

Galina Bleikh makes her pictures using the Israeli earth – the earth of the Promised Land. She puts it on canvases, revealing and concentrating the spiritual light inherent to it, in which any imaging is excessive. “Paints” which the artist uses are kneaded on millennia, impregnated with the sun and consecrated by world religions. Therefore, their Divine energy is so strong. The artist believes that people will want to pray in front of her pictures.
Today the civilization has littered the world with artificial visual signs attacking us from TV and computer screens, sticking out of our mail boxes, gazing at us from walls of buildings, filling the earth underfoot and the sky overhead. All of them want to replace real life by themselves. The artist offers to rest from their persuasive insistence. Her works are free not only from imaging, but also from any other visual dependence. They represent pure spaces, where only a prayer can exist.
The earth on a canvas is the natural phenomenon: since from ancient times until our days artists apply the soil colors as picturesque pigments. These pigments are strong and steady against atmospheric influence. Often they are called in honor of those places where they have been found. Galina names her colors so: Qumran ocher, Timna red, Jerusalem golden, Shiloah white. She uses “pure material”, revealing its primordial form. Galina’s goal is to achieve in her works the sense of sounded earth, being transformed from the material substance to the spiritual one. From this follows the absolute minimalism of composite decisions.

 


 
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